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Andreeva E.V. [The study of the artistic image of I.K. Aivazovsky using the comparative method] World of Science. Series: Sociology, Philology, Cultural Studies, 2023, Vol. 14, No. 4. Available at: https://sfk-mn.ru/PDF/54KLSK423.pdf (in Russian).

The study of the artistic image of I.K. Aivazovsky using the comparative method

Andreeva Evgeniya Viktorovna
Crimean University of Culture, Arts and Tourism, Simferopol, Russia
E-mail: ra_duet@mail.ru

Abstract. The article is devoted to the study of the category of artistic image in painting from the perspective of cultural research of I.K. Aivazovsky’s creativity. To understand the artistic image of the painter and his role in art, a number of methods, including comparative, are proposed. A comparison of the creative approaches of I.K. Aivazovsky and his successors K.F. Bogaevsky and M.A. Voloshin, representatives of another generation of Crimean painters, allows us to identify the dynamics in the development of the image of Crimean nature in Russian fine art, the peculiarities of its formation in the work of such different artists. To do this, the main facts of the biography and the stages of formation of the artistic method of I.K. Aivazovsky are studied. The comparison and analysis of the work of I.K. Aivazovsky, with his followers K.F. Bogaevsky and M.A. Voloshin highlights the issues of the mutual influence of artists in one region, their connection with the general processes taking place in Russian and world art, reveals the individual characteristics of creativity, the influence of the socio-political situation and the processes taking place in culture. The novelty of the research is justified by its intersectoral nature: the cultural study of painting with Crimean themes as a Russian cultural heritage is at the junction of theory and history of culture, art criticism, and regional sociological research. In the recent past, researchers rarely interpreted the Crimean theme in painting in line with the Russian tradition in art, since Crimea was withdrawn from the Russian Federation in the 50s of the last century. To take a fresh look at the Crimean theme in Russian painting, to understand its significance, to trace the continuity in the tradition of the Crimean landscape, to identify the dynamics of its development and the relationship with social processes and phenomena, to turn to layers of cultural heritage that are closely related to modernity — all this determined the vector of this research.

Keywords: artistic image; Crimea; landscape; battle genre; fine art; Russian painting; cultural heritage

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