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Romanov R.R., Popova G.S. [The formation of art forms in the Ethnoculture of Sakha: historical and cultural analysis] World of Science. Series: Sociology, Philology, Cultural Studies, 2022, Vol. 13, No. 2. Available at: https://sfk-mn.ru/PDF/31KLSK222.pdf (in Russian).

The formation of art forms in the Ethnoculture of Sakha: historical and cultural analysis

Romanov Roman Romanovich
M.K. Ammosov North-Eastern Federal University, Yakuts, Russia
E-mail: sakhajuggler@gmail.com

Popova Galina Semenovna
M.K. Ammosov North-Eastern Federal University, Yakuts, Russia
E-mail: gs.popova@mail.ru
ORCID: https://orcid.org/0000-0002-4452-4012
RSCI: https://www.elibrary.ru/author_profile.asp?id=413270

Abstract. As in any other ethnoculture of our time, various kinds of transformations take place in the ethnoculture of the Sakha people. Ttraditional types and forms of culture change as well as new forms emerge. The relevance of considering the genesis of art forms is explained not only by this, but also by the need to preserve and develop original phenomena, and in borrowed cultural practices to introduce the spirit of the ethnos. The subject of the research is the process of origin and formation of Sakha art forms. The set goal of studying of this process is achieved on historical and cultural interdisciplinary approach with the use of methods of theoretical analysis, analysis of the socio-cultural environment of identity of ethno-cultural phenomena, generalization. The results of the work are contained in the first attempt to identify the original, transitional and borrowed types of Yakut art, which will find application in subsequent research and practical intervention in the process of development of the latter. The main conclusion, in our opinion, is the discovered regularity: the mother art remains to live its own life, and the art grown on its soil begins to develop in its own way. The above mentioned is the most favorable form of art development, while the ousting of the maternal art by a cultivated form should be regarded as a regression in the development of culture and art. The authors intend to continue to consider the development of adopted/borrowed arts on the example of the young Yakut circus, which has a playful beginning, different from the theatrical play.

Keywords: types of art and their formation; ethnic culture of Sakha; original; transitional and borrowed types of Yakut art; Yakut circus art

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