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DOI: 10.15862/16FLSK325 (https://doi.org/10.15862/16FLSK325)

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Loktevich E.V. [The artistic potential of contemporary Belarusian and Russian folk-rock-poetry in constructing a national picture of the world] World of Science. Series: Sociology, Philology, Cultural Studies, 2025, Vol. 16, No. 3. Available at: https://sfk-mn.ru/PDF/16FLSK325.pdf (in Russian). DOI: 10.15862/16FLSK325

The artistic potential of contemporary Belarusian and Russian folk-rock-poetry in constructing a national picture of the world

Loktevich Ekaterina Vyacheslavovna
Belarusian State University, Minsk, Republic of Belarus
E-mail: lichorad.kat@mail.ru
ORCID: https://orcid.org/0000-0001-8357-9019
RSCI: https://elibrary.ru/author_profile.asp?id=1108663
Google Scholar: https://scholar.google.ru/citations?user=9GwMGZgAAAAJ
SEMANTIC SCHOLAR: https://www.semanticscholar.org/author/Екатерина-Вячеславовна-Локтевич/115006167

Abstract. The author of the article turns to the study of the mechanisms of actualization of the existential-virtual artistry of modern Belarusian and Russian folk-rock-poetry in the context of the conceptual sphere of the national picture of the world. The relevance of the problematic field of the article is due to the need to comprehend the dynamics of national concepts and the pathos of song poetry, (re)presented by means of the artistic principles of the syncretic era and post-postmodernist polycode structures, by theoretical poetics. The research focus of the article is aimed at establishing the artistic potential of modern Belarusian and Russian folk-rock-poetry, the ideological foundations of which determine the trajectory of modeling the national picture of the world. Verification of scientific observations is carried out in the light of the methods of receptive and cognitive-discursive analysis of the verbal subtexts of the songs of the groups «Skolot» (Russia) and «KaS» (Belarus) based on the theoretical provisions of the system-subjective, structural-semiotic and hermeneutic methods. It has been established that the originality of the national picture of the world in the studied song poetry is determined by the individual-authorial rethinking of archetypal figurative structures and communicative models, the specificity of the chronotopic organization, dating back to folklore plot-plot parameters, as well as the actualization of national value orientations seen in the focus of mediatization and phygitalization of the existence of creative consciousness. It has been revealed that the poetics of modern Russian folk-rock is built on the epic-heroic model of interchangeable subjectivity, and Belarusian folk-rock focuses on the hierarchical unity and cyclicality of the co-existence of nature and man. The main conclusion of the article is that modern Belarusian and Russian folk-rock-poetry functions as a relevant tool for (re)translation and (re)interpretation of national world modeling, successfully combining the value message of traditional moral concepts and markers of post-postmodern worldview.

Keywords: song poetry; subject organization; figurative sphere; subject of consciousness; author proper; chronotope; picture of the world; symbol; concept

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