{"id":3589,"date":"2023-10-27T11:00:05","date_gmt":"2023-10-27T08:00:05","guid":{"rendered":"https:\/\/sfk-mn.ru\/en\/?p=3589"},"modified":"2023-10-27T11:00:19","modified_gmt":"2023-10-27T08:00:19","slug":"50flsk323","status":"publish","type":"post","link":"https:\/\/sfk-mn.ru\/en\/50flsk323.html","title":{"rendered":"Folklore and religious nominations in the poetry of Nikolai Gladkikh"},"content":{"rendered":"

Kosharnaya Svetlana Alekseevna<\/strong>
\nBelgorod State National Research University, Belgorod, Russia
\nE-mail: kosharnaja@bsu.edu.ru
\nORCID: https:\/\/orcid.org\/0000-0003-4541-3979<\/a>
\nRSCI: https:\/\/elibrary.ru\/author_profile.asp?id=354860<\/a><\/p>\n

Plotnikova Larisa Ivanovna<\/strong>
\nBelgorod State National Research University, Belgorod, Russia
\nE-mail: plotnikova@bsu.edu.ru
\nRSCI: https:\/\/elibrary.ru\/author_profile.asp?id=796885<\/a><\/p>\n

Abstract.<\/strong> In recent decades, a fairly large number of studies have appeared devoted to the study of the creativity of regional poets in the context of solving the problem of interaction between language and culture. And here, of particular importance is the study of the individual linguistic artistic picture of the world of authors who, perhaps, did not receive wide fame in literature, but, nevertheless, incorporated the Russian literary tradition into their work and at the same time captured their individual worldview in the artistic text, which can be conceptualized as ethnoculturally determined.<\/p>\n

This article examines the features of the idiostyle of the 20th century Belgorod poet Nikolai Gladkikh, manifested in the author\u2019s use of folklore and religious vocabulary. Linguocultural analysis of lexemes showed that, despite the limited heritage of this poet available to readers, the published texts indicate that the author\u2019s associations, the transformation of traditional elements through the author\u2019s reading of folk symbols and intra-contextual semantic increments are largely based on the poet\u2019s aspiration to the cultural past, on the awareness of one\u2019s own origins and are determined not only by the intention and motives of poetic plots, but also by the intentional appeal of the author \u2014 a linguist by training \u2014 to precedent lexical phenomena that determine the poet\u2019s \u00abRussian\u00bb view of the surrounding reality.<\/p>\n

As a result, N. Gladkikh\u2019s poetic picture of the world is consistently objectified with the help of linguistic means that establish a connection between the individual author\u2019s vision and the folklore and religious pictures of the world. At the same time, in preserving the historical relationship of modernity with the past, N. Gladkikh\u2019s adherence to the Russian literary tradition is revealed. In this regard, the goal of our work is a linguoculturological description of the linguistic means that function in the lyrics of the Belgorod poet and which we qualify as folklorisms and religionyms. It is in mythological and folklore symbols that the national and idiostyle specificity of N. Gladkikh\u2019s lyrical system is most clearly reflected.<\/p>\n

Keywords:<\/strong> artistic picture of the world; idiostyle; linguoculturology; ethnoculture; language picture of the world; folklore word; religious naming; N. Gladkikh<\/p>\n","protected":false},"excerpt":{"rendered":"

Kosharnaya Svetlana Alekseevna Belgorod State National Research University, Belgorod, Russia E-mail: kosharnaja@bsu.edu.ru ORCID: https:\/\/orcid.org\/0000-0003-4541-3979 RSCI: https:\/\/elibrary.ru\/author_profile.asp?id=354860 Plotnikova Larisa Ivanovna Belgorod State National Research University, Belgorod, Russia E-mail: plotnikova@bsu.edu.ru RSCI: https:\/\/elibrary.ru\/author_profile.asp?id=796885 Abstract. In recent decades, a fairly large number of studies …<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[32,5],"tags":[],"class_list":["post-3589","post","type-post","status-publish","format-standard","hentry","category-issue-3-2023","category-article"],"_links":{"self":[{"href":"https:\/\/sfk-mn.ru\/en\/wp-json\/wp\/v2\/posts\/3589","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sfk-mn.ru\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/sfk-mn.ru\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/sfk-mn.ru\/en\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/sfk-mn.ru\/en\/wp-json\/wp\/v2\/comments?post=3589"}],"version-history":[{"count":1,"href":"https:\/\/sfk-mn.ru\/en\/wp-json\/wp\/v2\/posts\/3589\/revisions"}],"predecessor-version":[{"id":3590,"href":"https:\/\/sfk-mn.ru\/en\/wp-json\/wp\/v2\/posts\/3589\/revisions\/3590"}],"wp:attachment":[{"href":"https:\/\/sfk-mn.ru\/en\/wp-json\/wp\/v2\/media?parent=3589"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/sfk-mn.ru\/en\/wp-json\/wp\/v2\/categories?post=3589"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/sfk-mn.ru\/en\/wp-json\/wp\/v2\/tags?post=3589"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}